| 1 |
How Cameo Blew Up During Quarantine |
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| 2 |
Bob Staake’s “Icons” |
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| 3 |
Marilynne Robinson’s Essential American Stories |
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| 4 |
September 21, 2020 | The New Yorker |
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| 5 |
The Race to Redesign Sugar |
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| 6 |
Here Are Twenty Other Disturbing, Awful Things That Trump Has Said This Month, and It’s Not Over Yet |
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| 7 |
The TikTok Fiasco Reflects the Bankruptcy of Trump’s Foreign Policy |
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| 8 |
The Public-Shaming Pandemic |
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| 9 |
Can a Newcomer Unseat Lindsey Graham? |
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| 10 |
The Giddily Twisted Action of “The Boys” |
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| 11 |
There Should Be No Doubt Why Trump Nominated Amy Coney Barrett to the Supreme Court |
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| 12 |
September 14, 2020 | The New Yorker |
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| 13 |
Jamal Murray and Nikola Jokic, Basketball’s Best Buddy Comedy |
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| 14 |
Lorrie Moore on Bearing Witness to Suffering |
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| 15 |
“Tenet” is Dazzling, Deft, and Devoid of Feeling |
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| 16 |
The Elusive Peril of Space Junk |
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| 17 |
Coffee with Sasquatch and a Couple of Robots |
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| 18 |
Two Hundred Thousand Americans Are Dead from the Coronavirus |
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| 19 |
Amazon Prime Offers to Aid Peaceful Transfer of Power by Shipping Trump Out in Twenty-four Hours |
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| 20 |
Further Revelations from Bob Woodward’s “Rage” |
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| 21 |
“Spoiler,” by Hala Alyan |
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| 22 |
The Radical History of Corporate Sensitivity Training |
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| 23 |
Donald Trump Is Attacking American Democracy at Its Core |
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| 24 |
Why We Keep Reinventing Abraham Lincoln |
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| 25 |
The Legal Fight Awaiting Us After the Election |
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| 26 |
A Young Kennedy, in Kushnerland, Turned Whistle-Blower |
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| 27 |
James E. Hinton’s Unseen Films Reframe the Black Power Movement |
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| 28 |
“Residue,” Reviewed: A Prodigal Filmmaker’s Wrenching Return |
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| 29 |
We Can No Longer Pretend We’re Not Free-Falling |
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| 30 |
Is America a Myth? |
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| 31 |
The Case for Dumping the Electoral College |
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| 32 |
Bob Woodward on a Nightmare Presidency |
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| 33 |
The Clear Night Sky Over India and China’s Hostile Border |
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| 34 |
The Injustices of Aging |
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| 35 |
How Can We Pay for Creativity in the Digital Age? |
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| 36 |
The New Republicans of Pennsylvania |
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| 37 |
Zoom Fatigue and the New Ways to Party |
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| 38 |
MOMA Reopens with an Iconic Milton Glaser Mural |
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| 39 |
Is Russian Meddling as Dangerous as We Think? |
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| 40 |
Our Long, Forgotten History of Election-Related Violence |
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| 41 |
Scientists Advance on One of Technology’s Holy Grails |
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| 42 |
Ming Smith’s Pioneering Excavations of Black Femininity |
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| 43 |
A New Rabbi Schleps Through the Village to Meet Her Flock |
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| 44 |
Joe Biden’s Pitch to the Doubters |
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| 45 |
New Postal Service Procedures Completely Unrelated to the Election |
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| 46 |
The Perfect Prose of a Joan Didion Photo Caption |
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| 47 |
The New Monuments That America Needs |
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| 48 |
A House Is Not a Home |
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| 49 |
The Man Who Refused to Spy |
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| 50 |
How Fast Is the Climate Changing?: It’s a New World, Each and Every Day |
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| 51 |
Watch How James Baldwin Confronted Civil-Rights History |
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| 52 |
New Yorker Festival to Host Chris Rock, Elizabeth Warren and Others |
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| 53 |
Bob Woodward’s Bad Characters |
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| 54 |
How the Trump Campaign’s Mobile App Is Collecting Huge Amounts of Voter Data |
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| 55 |
Can the Democrats Win Back Pennsylvania? |
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| 56 |
Susanna Clarke’s Fantasy World of Interiors |
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| 57 |
The Improbable Journey of Dorothy Parker’s Ashes |
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| 58 |
Remembering Ruth Bader Ginsburg, a Supreme Court Justice Who Demonstrated the Power of Dissent |
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| 59 |
Kavanaugh Warns That Expanding Size of Supreme Court Would Require More Kegs |
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| 60 |
When James Baldwin Went South |
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| 61 |
Donald Trump’s Incitements to Violence Have Crossed an Alarming Threshold |
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| 62 |
The New York City Schools That Didn’t Close |
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| 63 |
Black Scholars Confront White Supremacy in Classical Music |
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| 64 |
Who Gets to Vote in Florida? |
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| 65 |
The New Yorker's RBG tribute is hauntingly understated |
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| 66 |
Examining Vicky Osterweil’s Case for Looting |
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| 67 |
The Lived-In Grace of Chadwick Boseman |
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| 68 |
American Christianity’s White-Supremacy Problem |
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| 69 |
“It Was All About the Election”: The Ex-White House Aide Olivia Troye on Trump’s Narcissistic Mishandling of COVID-19 |
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| 70 |
Review: “Get Organized with The Home Edit” Is Infomercial Reality Television |
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| 71 |
Watching “Watchmen” as a Descendant of the Tulsa Race Massacre |
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| 72 |
The New York Film Festival Goes Virtual |
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| 73 |
Honoring the resilience and fortitude of the New Yorker spirit |
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| 74 |
Sunday Reading: The World of Alex Ross |
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| 75 |
New Yorker of the Week: Ellen Fair |
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| 76 |
The Republicans Are Planning a Shameless Supreme Court Heist to Fill Ruth Bader Ginsburg’s Seat |
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| 77 |
The Private Georgia Immigration-Detention Facility at the Center of a Whistle-Blower’s Complaint |
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| 78 |
How Ruth Bader Ginsburg is being memorialized in art |
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| 79 |
Biden’s Case to Latino Voters Comes Late. Will They Listen? |
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| 80 |
Kadir Nelson's “Say Their Names” |
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| 81 |
Ashley Bathgate |
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| 82 |
May 11, 2020 | The New Yorker |
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| 83 |
May 18, 2020 | The New Yorker |
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| 84 |
April 20, 2020 | The New Yorker |
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| 85 |
Digital Access to The New Yorker |
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| 86 |
10 thoughts every New Yorker has while dining outside |
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| 87 |
Governor Cuomo Updates New Yorkers on State's Progress During COVID-19 Pandemic |
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| 88 |
Barry Blitt’s “Natural Ability” |
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| 89 |
The Top Twenty-Five New Yorker Stories of 2019 |
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| 90 |
Chris Ware’s “Bedtime” |
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| 91 |
A New Way to Listen to The New Yorker |
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| 92 |
An American Spring of Reckoning |
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| 93 |
Travelbinger Featured in The New Yorker — Take A Look |
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| 94 |
The Rush to Reopen |
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| 95 |
Eric Drooker’s “Grand Central Terminal” |
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| 96 |
Brian Stauffer’s “Under Control” |
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| 97 |
Grace Lynne Haynes’s “Sojourner Truth, Founding Mother” |
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| 98 |
Chris Ware’s “Still Life” |
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| 99 |
The Enduring Romance of the Night Train |
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| 100 |
New Yorkers Are Fleeing to the Suburbs: ‘The Demand Is Insane’ |
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